Download Ebook Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives

Download Ebook Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives

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Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives

Download Ebook Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives

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Review

“Wieland is shrewd…about her subjects and has done serious work…that give her book credibility, texture, and unending interest. This is the story of two glamorous women whose achievements in another time might have been no more substantial than the images on a screen but who assumed real-life roles with the highest historical stakes.” - Claudia Roth Pierpont, The New Yorker“The true subject of [Wieland’s] dual biography is…the contrast between good and evil…Did the women ally themselves with a particular nation because that nation reflected their authentic selves? Or did the choice itself―Dietrich's move to America; Riefenstahl's complicity with the Third Reich―transform them into different people than they would otherwise have been? Wieland offers no pat answers…Evil here is not banal; it is jaw-droppingly bizarre and eclipses good.” - M. G. Lord, Los Angeles Times“In this lively, deliciously gossipy dual biography, Karin Wieland treats both with great sympathy but also clear-eyed assessment.” - Kate Tuttle, Boston Globe“[With] hypnotic power…. Wieland uses these two virtuosos’ lives to generate piercing insights about ambition, ego, creativity and the life-changing, world-altering repercussions of a momentous choice.” - Michael Sragow, Washington Post“Behold Karin Wieland's Dietrich & Riefenstahl, a double-decker biography about a pair of sacred monsters that motors the length of a century, through two world wars, countless affairs, still-burning controversies, and white satin streams of Hollywood lore, never losing focus on the point on the horizon where fame and infamy meet…As a mere mortal myself, I finished Dietrich & Riefenstahl fully sated and completely agog.” - James Wolcott, Vanity Fair columnist and author of the PEN Award–winning collection Critical Mass“Illuminating…. Via a fluent, often witty translation by Shelley Frisch, Wieland draws the portrait of women who were ambitious to a degree stunning in their day. Moreover, by tracking their divergent careers together, she is able subtly to suggest some answers to a question that hangs over every mid-century German artist: what kind of responses were available to the Nazi apocalypse?” - Farran Smith Nehme, The Guardian (UK)“A sweeping, revelatory dual biography.” - Kirkus Reviews (starred review)“Separating fiction from the apocryphal, German political theory historian Wieland takes readers on a densely layered, whirlwind tour of Weimar Germany, 1930s Hollywood, the Third Reich, World War II, and more…. An absorbing read and a must-have for film collections. Highly recommended where Erik Larson's In the Garden of Beasts is popular.” - Kent Turner, School Library Journal“Marlene Dietrich and Leni Riefenstahl have found an ideal biographer in Karin Wieland. She brings a lively style, a wealth of detail, and a perfect balance between skeptical objectivity and measured sympathy to her account of the parallel and then diverging lives of these two ambitious women.” - Celia Applegate, Vanderbilt University

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About the Author

Karin Wieland lives in Berlin and is an historian of political theory at the Hamburg Foundation for the Advancement of Science and Culture.Shelley Frisch is the prize-winning translator of biographies of Nietzsche, Einstein, and Kafka. She lives in Princeton, New Jersey.

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Product details

Hardcover: 624 pages

Publisher: Liveright; 1 edition (October 5, 2015)

Language: English

ISBN-10: 9780871403360

ISBN-13: 978-0871403360

ASIN: 0871403366

Product Dimensions:

6.5 x 1.6 x 9.6 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

24 customer reviews

Amazon Best Sellers Rank:

#411,742 in Books (See Top 100 in Books)

Riefenstahl and Dietrich were both totally self-absorbed, maybe even narcissists. They were focused and ambitious. Dietrich was more practical, in her way, less concerned about "art." Riefenstahl said she was all about her art, but just like Dietrich, she was all about herself.I think they both invented themselves as they went. Neither seemed to have deep relationships and neither was very self-reflective. The book shows them in all their long-lived glory, self-absorption and all. Each did something right to live as long as each did.The book makes it clear that Dietrich chose her side far better than Riefenstahl did, morally and as a career move. I approve of Marlene much more than Leni, but I sure can't say I like her any better. You'd always be waiting for the other shoe to drop, if you were friends of either of them.The compare and contrast was well done. The book flowed and was very readable. I thoroughly recommend it.

This book compares and contrasts Marlene Dietrich and Leni Riefenstahl who were great artists and creators as well as famously beautiful and sexual women. They shared the heritage of growing into adulthood in post WW I Berlin, a place of turmoil that produced amazing sparks of genius especially in the cinema while also producing one of the blackest chapters of the human soul. One of these women became closely linked to Hitler and much of her work was intended to glorify Nazi values; Dietrich took the other path and spent much effort in working for the USO wearing an American uniform. The book tells their biographies in easy to read alternative chapter form.The strengths of the book are the clear expository writing which keeps the story threads clear even when switching back and forth between the two protagonists. The life story of each of these women is fascinating and would be interesting on its own; the juxtaposition increases the drama. The reader gets a real sense of knowing the details of these lives without a sense of being dragged into salacious gossip which is a real trap in telling the stories of two sexually active women. Of course, real lives do not follow narrative arcs that make fiction read better than reality.The weakness of this book is perhaps something that can not be avoided. Berlin is full of beautiful, intelligent women; a quick walk along the Kudamm will confirm this. Exactly what made these two rise above their more quotidian sisters? Ambition, intelligence, and opportunity are important, but ultimately genuine original creativity might not be explainable to us more ordinary folks. How did one become a Hitler sycophant while the other became an opponent? What was the role of frank sexuality in achieving success in a country whose leaders promoted a "Kids, Kitchen, and Church" place for women?The book made me admire both women more. Dietrich for her uncompromising stance for what is right, and Riefenstahl for the thought provoking clarity of the images she produced.One minor quibble: I would have enjoyed a lot more illustrations. Both produced thousands of striking images. A picture album might be a good addendum to this book.

A terrific read. From the historical standpoint it was hard not to compare with what's unfolding politically right now in the USA. These were two very complex and egocentric woman who coexisted in the changing and tumultuous twentieth century. The book is very well written and obviously thoroughly researched. Although they were about the same age and started their careers in the Berlin of the 1920's, their paths took them in very different directions. Dietrich became a vehement anti-Nazi and American movie icon. Riefenstahl became a friend of Hitler and his documentary film maker.

provided exactly what i was looking for. two interesting females who grew up having different yet similar backgrounds. great read about the blemish on germany during world war ll. filled with fascinating history. good read.

Very thorough telling of these stories. If anything, there is too much detail. I purchased it primarily to learn of Dietrich's involvement in World War II, but found myself immersed in the early days of her career in Germany and Hollywood.

At 91 years old, this was a wonderful review of the era leading up to mine and through it. Well written, informative details, and objective.

Excellent subject matter; Riefenstahl was persona non grata when I grew up in postwar Germany. Interesting to be able to follow her path now. Good translation, I should have, though, bought the book on German. Some nuances are just hard to translate.

Wonderful account of these two.

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