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Kamis, 19 April 2018

PDF Download , by Elegwen Ó Maoileoin

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File Size: 2039 KB

Print Length: 303 pages

Publisher: ARS & My Precious Publishing; 1 edition (March 16, 2019)

Publication Date: March 16, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PQ2LS3K

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PDF Ebook The Pixies' Doolittle (33 1/3), by Ben Sisario

PDF Ebook The Pixies' Doolittle (33 1/3), by Ben Sisario

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The Pixies' Doolittle (33 1/3), by Ben Sisario


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The Pixies' Doolittle (33 1/3), by Ben Sisario

About the Author

Ben Sisario writes about music and culture for The New York Times, teaches at the Tisch School of the Arts at New York University, and is a commentator on the New York public radio station WFUV. He lives in New York City.

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Excerpt. © Reprinted by permission. All rights reserved.

Doolittle is, on one hand, among the most violent pop albums ever recorded, if not in body count then in the starkness of its calamities. It features rape, mutilation of the eyes, vampirism, suffocation, smothering by tons of garbage, and the chaos of blind gunfire; for the punchline, everybody gets crushed to death. When not killing or maiming, the album turns to depraved sexual loathing and visions of apocalypse. And yet, even with its screams and its squalls, it is one of the most tuneful and lovable albums in the canon of alternative rock, and Charles Thompson, aka Black Francis, aka Frank Black, has spent the better part of two decades insisting to journalists that there is no real meaning to all the horror and dread, that the lyrics are just words that fit together nicely. "There is no point," he says. "The point is to experience it, to enjoy it, to be entertained by it."

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Product details

Series: 33 1/3 (Book 31)

Paperback: 127 pages

Publisher: Continuum (March 25, 2006)

Language: English

ISBN-10: 9780826417749

ISBN-13: 978-0826417749

ASIN: 0826417744

Product Dimensions:

5.1 x 0.4 x 6.5 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#280,787 in Books (See Top 100 in Books)

Ben Sisario's volume on the Pixies' classic 1989 album _Doolittle_ is my first experience of the 33 1/3 series, and it is just as good as I expected it to be. Each volume of the series is written by a different author, so unevenness is to be expected. It seems, however, that I began at a very good place.Numberless fans of the Pixies arrive at the band through Nirvana; to be more specific, through Kurt Cobain's famous comment that "Smells Like Teen Spirit" was his attempt at ripping off the Pixies. I, for my part, cannot even claim this. It was my brother who read Kurt Cobain's comment somewhere, then told me that the Pixies were worth checking out. Before that, back when I was in college, someone had let me borrow _Doolittle_. The person described the album as "indie pop," which resulted in me carrying the CD in my backpack for months before I saw the person again and returned the CD to her, unlistened. If Sisario's book had been my introduction to the Pixies, the story would have been different.Fast-forward 12 years. I am now a Pixies fan and I own all of their studio albums. I may not consider _Doolittle_ their best album, but it is definitely their most accessible, and (as a result, perhaps) their most influential. It is also a highly original work. Part of the reason behind that, as Sisario explains in the book, is that _Doolittle_ was made by largely self-taught musicians who wanted to do something different, to stay away from clichés and, as the saying goes, carve their own path.Sisario's book displays an engaging style and enlightening information from those involved in the making of _Doolittle_. The author met with Black Francis, who provides most of the information, but also with David Lovering, Joey Santiago, and producer Gil Norton. Sisario gives a brief history of the band, but most of the content of the book is analytical. The volume explores the dark themes present in the album and the surrealist connection, which is crucial when it comes to appreciating the album's lyrics. The book consists of five chapters plus a concluding section (comprising more than one third of the book) in which Sisario explores each of the songs contained in _Doolittle_.I would say that for a series like 33 1/3 the key question is: does the book enhance the experience of listening to the album it describes? In this case, the answer is definitely yes.As I said above, this is the first 33 1/3 book I read, so I cannot compare it to other volumes in the series. I will definitely explore other titles, as this one has made a very good impression on me. I'm interested in the books on Nirvana's _In Utero_, Nine Inch Nails' _Pretty Hate Machine_, Michael Jackson's _Dangerous_, David Bowie's _Low_, The Rolling Stones' _Some Girls_, and the Ramones' debut album, among others. I will share my impressions here as soon as I read more of these.Thanks for reading, and enjoy the book!

This was the first in the 33 1/3 series that I have read, and I've been tempted to read many. It absolutely succeeded in that the reading of the back really changed the way I hear "Doolittle." Sisario's book acts as a remastering: Guitar parts become clearer; bass lines stand out; lyrics become understandable even as they purposely ebb and flow throughout Norton's mix. "Doolittle" has always been second to "Surfer Rosa" with me, but the book helped me understand the band, the song construction, and the making of "Doolittle" in a truly objective way.My only wish is that there would have been more authorial subjectivity and less reliance on interviews/past reviews. Too much reliance/trying to find literal truth on lyrical meaning (which trip up a lot of rock writing). However, after reading this I am looking to forward to reading more in the series. (Inspired to finally read this after having read Dwight Garner's glowing review in the NYTimes a week ago about Gina Arnold's homage to Liz Phair's "Exile in Guyville" Why I read "Doolittle" instead is unknown to me. "Exile" is next, or possibly "Murmur."

The first thing to know about the 33 1/3 series is that since each book is written by a different author, each book will have its own tone, style, and in some cases, format. For example, the book about Radiohead's OK Computer is a dry analysis of the music theory behind the album, while the book for PJ Harvey's Rid of Me is actually short fiction. So it's important you read the description and reviews of each carefully before purchasing.Thankfully, the format for the Doolittle installment is more straight-forward than the examples I cite above: it's written in the basic long article style you'd expect to read in Spin or Rolling Stone. That's not very surprising since the author, Ben Sisario, is a regular contributor to these magazines. Through interviews with the band members (especially Charles Thompson and excluding Kim Deal, who refused to participate) and others involved, he quickly covers the formation of the band in 1986 and their early and quick success (in England, at least) with Come On Pilgrim and Surfer Rosa, before moving on to the main subject.Not surprisingly, there is a lot here about Thompson's writing influences, especially his interests in surrealistic art (its influence is most notable on "Debaser", which begins "Got me a movie! Ha ha ha ho! Slicing up eyeballs! Ha ha ha ho!" after the Bunuel and Dali film `Un chien andalou') and religious & mythological storytelling, ("Ole Neptuna's only daughter" & "Then, God is seven!") which came to their greatest fruition on Doolittle. Sisario does a good job of getting the story on Thompson's oftentimes obscure, almost impressionistic lyrics. Sometimes, as Thompson admits, words came for no better reason than a rhyme pattern, yet they always seem to coalesce around the themes that interest him.Of course, there's also a good bit here on the music. Joey Santiago talks about his influences, especially the minimalist note painting of Wes Montgomery and the `Hendrix' chord. (E7 sharp-9, which Hendrix used to add just the right edge to the verse in `Purple Haze'. Santiago went up a step to F7 sharp-9 to create the menacing drone in chorus of `Tame') Sisario also touches on Lovering's assured and bombastic drumming and Deal's thumping bass, which anchored the music while the melodies flew by. Interviews with the producer, Gil Norton, show his genius for corralling the band, especially Thompson, to get the best album possible. (Though the Pixies were well-prepared for the sessions, and it's implied that the relative failure of their next two albums could be attributed to poor band preparation for them. Though how much of that was from the already-rising tensions anyway?)But it is the contrasts that make The Pixies, and especially Doolittle, so great: Deal's angelic voice as a counterpoint to Thompson's screams, the quietloudquietloud verse and chorus dynamic, the humor tinged lyrics of rape, incest, and violence. Sisario goes into great detail on the musical effects and meanings in a song by song breakdown after the main text, and I found this to be the most intriguing part of the book, required reading for anyone who loves the album. Thompson was the main songwriter and driving force of the band, but Sisario ably demonstrates how all the parts created a whole that pushed alternative rock to a place I would argue it has yet to return. (He talks of the odd paradox that the Pixies have influenced so many without creating a single band that sounds like them.)This book is a must for any Pixie fan. It's well-written, informative, and an all-too poignant reminder of the genius of a band that left us too soon.

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Rabu, 18 April 2018

Download Ebook The Concept of Anxiety: A Simple Psychologically Oriented Deliberation in View of the Dogmatic Problem of Hereditary Sin

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Listening Length: 6 hours and 6 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: July 29, 2014

Language: English, English

ASIN: B00M8F7YOU

Amazon Best Sellers Rank:

Really interesting stuff. You have to read this and re-read it and re-read it. If you don't like dense material, you won't enjoy reading through this book.

classic Kierkegaard, inspired critical thought

This is a great work of Kierkegaard’s - just fascinating thoughts. I don’t know Danish, but it seems like the translator does a great job of maintaining Kierkegaard’s style, knowing that he is both a philosopher and a poet.

to be read over and over and over - with insights creeping in unnoticed as you stay confused with every page of seeming repetitious musings that open up your consciousness while you think nothing is happening.

''The Concept of Anxiety'' is a historical treatise on the concept of anxiety and its relation with the original sin as well as the concepts of Good and Evil. Kierkegaard examines those problems from the Christian perspective, though his approach to the Christian doctrine is quite differentiated from the formality of the official Christian dogma. Kierkegaard highlights the subjective element and he views humans as entities which are separated from the objective World and as totally responsible for the way of living they choose. This choice is characterized by its freedom as well as the feeling of distress (Anxiety) which is always present in every human decision. If humans have no external foundation in which they will seek and find answers concerning the ethics and the truth/untruth of things, then he is obligated to carry the heavy load of self-definition which is the immediate consequence of every free choice. Kierkegaard famously said ''Anxiety is the dizziness of freedom'' and this is a phrase which any true Existential thinker would approve. Even though many historians of philosophy do not strictly define Kierkegaard as an Existentialist, the two modes of thinking share plenty similarities and it should be noted that the Danish philosopher influenced the philosophies of prime Existentialists thinkers such as Jean-Paul Sartre, Emmanuel Levinas, and Karl Barth. ''The Concept of Anxiety'' is a classic dissertation which belongs to every philosophy scholars' and academics' bookcase.

classic from a classy company

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Sabtu, 14 April 2018

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File Size: 5083 KB

Print Length: 230 pages

Simultaneous Device Usage: Unlimited

Publisher: Digital Publishing Ltd (June 19, 2015)

Publication Date: June 19, 2015

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Language: English

ASIN: B0102RCNOG

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In my opinion, the general part should have been a bit shorter since every DIYer is well familiar with the very PV basics. Nevertheless the book is well written and contains lots of practical information –the site survey tips, ‘whether to go solar’ checklist and the cheat sheet at the end. The examples seem quite adequate and well developed. I think they will work and I‘m going to apply one of them to connect my laptop to solar power.The book describes various free software tools for PV system design. I wonder whether the authors provide a similar sizing tool and whether it’s free or not.

Make sure you have your engineering degree prior. Book is literally one long math equation instead of “explaining” each part the authors just use math equations to flood the entire book to show off their degrees. Hate to break it to you, but unfortunately the majority of the population has not been installing solar panel systems for the last 20 years. (Hence the reason i bought your book). I thank you for the massive math equation with little to no explanation on anything. Jokes on me.

There are many publications on the subject, but in my opinion this book represents a truly comprehensive and practical guide about how to design and put together all of the parts of а solar power system. The book may save many hours of research and confusions and in the same time is full of practical shortcuts and applicable hints.

If you want to build working solar power system on your own, this book is an excellent starting point. And, not only. When you prefer to understand, what you are doing and why, no doubt this reading will guide you through every step you took. It is not so common nowadays a technical subject like this to be presented in a book so that virtually everyone can understand. Therefore, do your research! And then you will be happy buying this book. :)

Go green, save money on high energy cost, manual with tips, steps, in advice to lower your expensive electric cost, solar energy is free no cost can't go wrong

As a homeowner interested in going solar, the book was helpful and provided useful information, but some sections were a little more technical (many formulas) than I needed. More helpful to me was the authors' other recent book, "The Truth About Solar Panels", which I recommend to anyone interested in solar electric systems.

Lots of sound, practical advice and all the calculations you would possibly need to design a solar power system.

Haven’t had time to read yet

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Rabu, 11 April 2018

PDF Download Design of Analog Filters: Passive, Active Rc and Switched Capacitor (PRENTICE-HALL SERIES IN ELECTRICAL AND COMPUTER ENGINEERING)

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Product details

Series: PRENTICE-HALL SERIES IN ELECTRICAL AND COMPUTER ENGINEERING

Hardcover: 608 pages

Publisher: Prentice Hall (May 1, 1990)

Language: English

ISBN-10: 0132002884

ISBN-13: 978-0132002882

Product Dimensions:

7.5 x 1.5 x 9.8 inches

Shipping Weight: 2.6 pounds

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Rabu, 14 Maret 2018

Free Download , by V. E. Schwab Victoria Schwab

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File Size: 4452 KB

Print Length: 366 pages

Publisher: Tor Books; Reprint edition (September 24, 2013)

Publication Date: September 24, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00CQY7WBI

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I am finding it extremely difficult to come up with the right words to accurately describe just how much I adored this novel. I completed it well over a month ago and I am still constantly thinking about it. This was my first experience with Victoria Schwab’s work, and I was completely blown away by her talent. It has been quite a while since I was so quickly pulled into a novel. I found this incredibly hard to put down once I started reading; it’s one of those stories where you sit down to read a chapter or two and, before you know it, you’ve read a third of the book. This is due primarily to Schwab’s impressive abilities in character development and storytelling.Vicious follows the story of two best friends turned archnemeses, with a narrative that jumps between the present day and their time in college together ten years prior. During their study of extraordinary abilities, things get out of control, landing Victor in prison, bent on getting revenge, and Eli attempting to wipe out every super-powered person in existence. In alternating time periods and perspectives, the story of their falling out is gradually filled in, and the mystery pieced together in a fast-paced and suspenseful way.Victoria Schwab is an absolutely brilliant writer with an incredibly addicting writing style that flows beautifully. Her innovative ideas, particularly in the depiction of the super-human abilities, make a well-loved topic into a remarkable and unique reading experience. It is extremely difficult to base a story around villainous characters and requires major skill—which she clearly has—to do so. She is spot on with her level of detail and description when it comes to her world and character building, and she masterfully creates a dark, chilling mood and atmosphere all the way through. Her words, her details, her plot points, everything just flows so nicely.Early on, I had my doubts about the way the novel jumped around in time so often. That is something I typically do not enjoy, as I have found that I tend to get lost and confused easily in books that skip around too much. However, this did not happen at all as I was reading this book, and I actually ended up loving the style. In general, this can be a rather dangerous and risky way to write a novel, but Schwab executes it perfectly and completely nails this method of storytelling.Since the plot is so connected to the past and the history of the characters, being able to jump back and hear first-hand what happened to them definitely contributes a lot to the novel as a whole. Schwab does this in a way where she essentially creates two storylines—a past one and a present one—and the jumping between them alternately causes tension and suspense in both. There is also plenty of suspense within each chapter to boot. All of this really succeeds in fully immersing the reader in the story and making them want to read on.The character creation and development is one of the strongest and most important aspects of this novel, and is definitely some of the best I have ever come across. This is not your typical tale of good versus evil—in fact, what makes this story so intriguing is the lack of clarity and specificity when it comes to the definitions of both. It is a novel about villains, revenge, and the dangers of extreme power. The characterization relies heavily on moral ambiguity, and no one is truly heroic in the traditional sense of the word; there is typically an ulterior motive behind each character’s actions.Schwab works hard to create vivid and complex characters, and she presents the reader with a comprehensive portrayal of every single one. This is one of my personal favorite elements to see in a story. Clearly displaying a character’s good qualities as well as their flaws will always make for a far more memorable and three-dimensional character that your reader will take an interest in. And whether they are hero or villain, this connection is essential. No matter what side their loyalties lie on, every character needs to be relatable in order to have an impact on an audience.Vicious contains a very flawed group of individuals, and none of their negative qualities are sugar-coated. Their flaws are a driving force in the plot. This is the type of story that requires messed up and imperfect characters—ones who are not distinctly good or bad and whose motives are questionable. That is exactly what she has succeeded in creating here, and it adds a great amount of depth to the story. Whether you like them or not, they are utterly fascinating, and you find yourself fully captivated by their plotlines, constantly wanting to know more.This book is filled with many magnificent examples of antiheroes, and what comes from this is an absolutely enthralling character study. Victor is one of the most amazingly well-imagined characters I have ever read about in my life. His characterization was brilliantly done, and his storyline was absorbing from the very first page. He is that villain that you hate to love, and potentially even love to hate—and though his actions are not always entirely permissible due to his focus on revenge, you find yourself siding with and rooting for him anyway. Overall, Victor is a surprisingly relatable and likeable villain, and an impeccable choice for a main protagonist. He was by far my favorite character in the novel.On the opposite side of this, from the very first time we see Eli and Victor together, something about Eli immediately rubbed me the wrong way—and as the story progressed, my opinion of him most definitely did not improve. Though he is an intensely dislikable character, his plotline was fantastically well executed. Schwab wrote it in an incredibly interesting way, making it one of those stories where, depending on one’s point of view or position, Eli might not necessarily be a villain in everyone’s eyes.As a reader, we are meant to feel that he is entirely immoral. His actions are not at all condonable, nor is there any justification for anything he does. And we as the reader are correct in thinking this, because his inhumane actions are not and should not be justifiable; he is a monster. However, it is also easy to understand why he justifies his own actions to himself.Eli believes that he is doing right, that he is being heroic and fulfilling God’s will, and it would be impossible for anyone working under that type of extreme delusion to see their own—or potentially someone else’s—immorality. While neither Eli or Victor are truly heroes, Eli’s delusion of heroism and inability to see his own inhumanity makes him not only more villainous, but also far more dangerous.Victor is much more aware of what he is doing and, though he does questionable things primarily for his own motives, that is not the definition of all of his actions. He has far more restraint and humanity left in him—more of a conscience than Eli has. There are certain actions each do individually that it would be hard imagining the other doing. Victor is certainly more aware of the consequences of his actions, and though that might not prevent him from ever doing evil, he has limits and never has any misconception about his purpose in life.Schwab also fills this book with an all-star set of secondary characters. Sydney is a downright lovely character, and by far the most purely endearing and innocent of the bunch. On top of this, the role that she played in the story was fascinating, and her powers were an element that served to create a lot of mystery and suspense throughout. Another character that added to the huge amount of suspense in the plot was Mitch. Mitch is one of the only other truly lovable characters in the novel, and the juxtaposition of his natural talents against the others’ powers was a highlight for me.Serena falls more toward the Eli side of the scale of villains. She is quite dislikable from the very start, and while she remains that way throughout the novel, you begin to understand her actions as more information about her is revealed. As with Eli, it is impossible to condone what she does, but you do begin to get an understanding of how aspects of her life—such as her powers—would cause her to act in the way that she does. All in all, though these three are all supporting characters, they are no less vivid or complex than the protagonists, and their plotlines are fully conceived.Victoria Schwab has produced an absolute masterpiece with this novel. Her three-dimensional characters and unique plotlines work together to create a truly engrossing and addictive read that will stay with you long after you’ve finished it. Whether or not you are a superhero/supervillain fan like myself, this book holds something for everyone to enjoy. If you have not read this yet, I very highly recommend giving it a go. I’m not sure what to expect from the sequel, but I’m definitely looking forward to seeing what happens next; I cannot wait to be back in this world with these characters. Vicious, without a doubt, now holds a place on my list of all-time favorite novels.

The first half or so moved fairly quickly and was hard to put down. Unfortunately, I found it slowed at one point. It was still interesting enough to keep me reading but I kept expecting it to pick back up. The climax is very exciting but could have been even more so. The two main characters are intriguing and so well-developed by Ms Schwabb that a more exciting ending could have been possible, especially in the given setting.As mentioned, the characters are well-developed and believable. It’s difficult to like or relate to any of the main characters, except for one or two, and one being a dog! This is mainly due to the fact that the two main characters kill too easily. In Victor’s case, it’s due to his ‘superpower’ numbing his empathy among other things. In Eli’s case, he simply a narcissistic a-hole (redundancy intended) and has been all his life! Victor is certainly easier to like but his jealousy and revenge streaks don’t exactly make him that great guy you’d want as a friend.And then there’s Serena! Ms Schwab does an excellent job at painting a fine-line between a truly terrible person and a likeable one. Although Serena shows some signs of being human, she’s a villain. She delights in watching others squirm painfully under her ‘spell’. I would say she’s the most dangerous character in Vicious.The writing style overall was good. Although I found some points in the book lacking, overall it’s well-written. The occasional humour or sarcasm was welcomed. The use of ‘dated’ chapters to explain the intricate details was perfect. Some reviewers found this feature confusing - it’s not for everyone. I found it kept things clear and were provided at the right points in the story.Having read many non-fiction books on near death experiences and their effects, I was a little surprised to see that the effects in Vicious are mostly, if not all, negative. Ms Schwab mentions Post Death Stress Disorder and The Rebirth Principle, two concepts I never encountered in my readings. Googling them reveals that they don’t really exist! This reveals that Ms Schwab did her research well and possesses a great and fantastic imagination - what every excellent story-teller needs, especially in the fantasy-genre!There’s quite an amount of violence which might not be suitable for younger readers.Would I recommend it? Absolutely! Would I read it again? Absolutely!Eagerly awaiting the sequel.

Not quite what I expected. Although many people have powers and the antagonist bills himself as a hero, there really is no hero or superhero feel to this. It's almost noir, full of planning and counter-planning and not very much action at all until the last quarter or less of the novel.You might ask what I was expecting (given the title and series name) when I say that the characters weren't likeable. But I've read plenty of stories where anti-heroes and villains are still interesting and enjoyable characters. Both anti-hero Victor and antagonist Eli are very similar, very dour, and very flat. Victor's right-hand man Mitch is okay but very bland. Eli's right-hand woman Serena is just plain psychotic. The only reason I kept reading at all was Sydney, but not even she can carry the entire novel.It got more interesting at the end - Victor's ultimate plan for Eli was a surprise and rather amusing. But for the most part, Vicious feels more like the pre-WW DC movieverse, a little too in love with the idea of being dark and gritty to realise they've removed most things of interest.I'd write a longer review, but since I kept putting this one down and taking a while to pick it back up again, many early details escape me. (But it's not a great sign when it takes me months to read a book that isn't either very long or in a challenging style/prose.)Technically rated 2.5 stars, rounding down as I always do.

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Senin, 26 Februari 2018

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The Boy's Body Book: Everything You Need to Know for Growing Up YOU (Boys World Books)

About the Author

Steve Björkman has illustrated more than 100 books for children, including the New York Times bestseller Dirt on My Shirt by Jeff Foxworthy. He has also sold more than 200 million greeting cards with his brother, Carl, through Recycled Paper Greetings. When he’s not painting, he’s working on authoring books for kids. Steve lives with his wife in Irvine, California. Visit him online at SteveBjorkman.com.

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Product details

Age Range: 10 and up

Grade Level: 4 - 6

Series: Boys World Books

Paperback: 112 pages

Publisher: Applesauce Press; 1 edition (August 1, 2007)

Language: English

ISBN-10: 1933662743

ISBN-13: 978-1933662749

Product Dimensions:

10.2 x 0.3 x 7 inches

Shipping Weight: 11.2 ounces

Average Customer Review:

4.6 out of 5 stars

487 customer reviews

Amazon Best Sellers Rank:

#214,687 in Books (See Top 100 in Books)

We bought three books about puberty for our 11 year old son. I will post this comment under all three books. The books are The Boy’s Body Book, Third Edition: Everything You Need to Know for Growing up YOU by Kelli Dunham, RN; The “What’s Happening to My Body?” Book for Boys. Revised Edition by Lynda Madaras with Area Madaras and It’s Perfectly Normal: Changing Bodies, Growing Up, Sex and Sexual Health (The Family Library) by Robie H. Harris.My son read all three books, so I asked him for his feedback on each book and this is what he said.He found the It’s Perfectly Normal book to be “more comic’y and less squeamish.” He found the Bird and the Bee characters thru-out the book to be “really funny.” It’s Perfectly Normal contained the most information about sexual intercourse whereas The Boy’s Body Book and What’s Happening to My Body have more about health.The What’s Happening to My Body book contained “more anatomically correct drawings.” It also has a section about being uncircumcized and how to take care of your foreskin.The Boy’s Body Book is “fine,” but “it doesn’t really talk about sex and genital changes.” It doesn’t go into as much detail as the other two books. It does however have more content on older teens, curfew, chores, siblings and divorce. It also has a brief section on what to do if someone tries to touch you inappropriately.The Boy’s Body Book also doesn’t have a section about girls’ bodies, but both What’s Happening to My Body and It’s Perfectly Normal do have sections about girls.Overall, if parents want a book that is more about emotions, then he recommends the Boy’s Body Book; and if parents want a book that is more detailed about sex and genital changes, then he recommends What’s Happening to My Body or It’s Perfectly Normal.

Love this book! It's very detailed without being too graphic. There are no actual photographs just illustrations which is nice for younger boys. My son likes it at age 9 almost 10 and there are parts we can come back to in a couple years like tips on shaving and getting his first job. There are also websites listed where boys can get more information if needed.

I got this for my ten year old son, as an introduction to the years ahead. We went through a bit of it when I gave it to him, but I'm leaving the rest to research on his own, then ask me or my husband questions if he has them. I assume he's reading it, because he came into the kitchen last week and calmly announced, "Yeah, I think I'm in the first stages of puberty."

Tells boys what to expect of their bodies without being too graphic. Talks about puberty, but also about how to eat well and exercise and proper hygeine and whatnot. Great book, along the vein of American Girls' The Care and Keeping of Me. I recommend for boys 8 and up.

I wanted a book that my son could read on his own to formulate questions on puberty. It covers the basics - wet dreams, growth spurts, etc, but doesn't talk about sex, which is perfect for my son's age. Much of the book is actually about friendship and other topics, but my son really enjoyed it. I will see him reading this book on his own.

This is about my 10th time purchasing a book from this series. I get it for all the 6th graders. As a former school nurse, I know that is the age they have a lot of curiosity/anxiety about the subject, and among the several I have bought, this is the one they seem to prefer.

Bought for a 11 year old boy for questions I was not ready to answer. After flipping through the book, some of the content - I felt for an immature child is at, was a bit to informative.. However the chapters that pertain to NOW , I had him read then we talk about it afterwards. Pretty much the book has been dissected now in a binder, the appropriate chapters to be revealed as he matures. I love the part about hygiene!!!

I bought this for my ten and twelve year old grandsons. This is a great book for boys this age. Sex education doesn't get taught in our schools until 7th grade, and this book gave them the information they needed as a prerequisite to that; namely, addressing body changes and information appropriate for middle schoolers. The kids read for half an hour before going to sleep, and this book was regularly in somebody's bed. Thank you for helping this nana deal with getting the right information to her grandsons!!

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The Boy's Body Book: Everything You Need to Know for Growing Up YOU (Boys World Books) PDF